#System requirements scopebox how to#
#System requirements scopebox pro#
#System requirements scopebox software#

This is where shot matching lives and dies. For me, black is the foundation of color I need to control the blacks in my image. One vectorscope isolates the colors in shadows, the second isolates the highlights, and the middle scope shows you everything in between. One handy scope I use all the time is called HML Balance.

#System requirements scopebox pro#

Even with the cost of supporting hardware like a computer, a display, ScopeBox is still a wildly more affordable solution for colorists, whether youвЂ™re just starting out or are a seasoned pro вЂ“ itвЂ™s a budget you can afford. But for $99, ScopeBox is an amazing tool. So in a sense youвЂ™re paying for features you simply donвЂ™t need. Sure, there are some tools in hardware scopes created for broadcast engineers, but frankly, a colorist will never need them. Hardware scopes can cost as much as 40 times more than ScopeBox, and theyвЂ™re still not as flexible. ScopeBox is attainable! ItвЂ™s affordable and runs on a computer that you either already have or can afford to buy. No other scope can do this, and certainly not many of the hardware scopes вЂ“ which by they way, are prohibitively expensive! And thatвЂ™s a huge point, especially for my students who are either just starting out, or simply donвЂ™t have the budget for all this extra gear. I can slice and dice ScopeBox to give me different views of the same image all at the same time.

#System requirements scopebox software#

Why ScopeBox? And why software scopes at all, especially when products like Resolve have built in scopes?ДЇor one, I can dedicate an entire screen to my scopes and have multiple versions of the same scope set up вЂ“ sometimes with twelve different scopes open. As a colorist, theyвЂ™re essential вЂ“ your eyes will lie to you! And ScopeBox from Divergent Media plays a big role in my work, and in my courses. Scopes are a big part of what IвЂ™m teaching. While I teach them the software, I also teach them how I think as a colorist вЂ“ and that has a big impact on how you actually use software. In the Flight School series, I basically replicate a color correction session for my students. ItвЂ™s why I created The Tao of Color, Mixing Light, and a new series coming out this summer under The Colorist Flight School series. Patrick continued, вЂњTraining, creating tutorials, basically sharing my knowledge about color correction is my life. Because as Patrick puts it, вЂwhen you need to look at an image objectively, you need to look at the image without looking at it because your eyes lie to you.вЂ™ Patrick shared with us some of his thoughts on how the technology complements the art, and when best to rely on software to help achieve the highest image quality possible. All about the craft of color, the science of color, and of course, the technology of color. And heвЂ™s been teaching ever since creating tutorials, publishing a newsletter, leading workshops, launching a membership site and is currently writing a book. In 2010 he stepped down from the group to focus his teaching on вЂ“ a website dedicated to mentor-style online teaching of color correction.

He later joined that groupвЂ™s Board of Directors to become its Treasurer and вЂ“ when his mentor, the groupвЂ™s fearless leader Michael Vitti, passed away at NAB вЂ“ Patrick took over as President.

#System requirements scopebox how to#

Patrick Inhofer first began teaching at the New York City Final Cut Pro UserвЂ™s Group, where he demoвЂ™ed how to use FCPвЂ™s 3-Way Color Correction filter for both technical and creative effect.